




Two trilogies where the director & cinematographer remained the same in each film, hence, a consistent look and feel to the over-riding color scheme.

The Godfather movies cast a warm, sentimental glow over even the most gruesome of circumstances.
Back to the Future is full of nostalgia, as well, as the warm browns and pinks suggest.
Or how about this one: Teenage Mutant Ninja Turtles I, II & III
image source



Certainly gloomy and gray, that's for sure.
It's an interesting approach to analyzing movies that I hadn't thought of before, but certainly puts movie-making in a new "light" for me! Can you think of other films that have a distinctive feeling to the overall lighting and palette of the movie?
It's an interesting approach to analyzing movies that I hadn't thought of before, but certainly puts movie-making in a new "light" for me! Can you think of other films that have a distinctive feeling to the overall lighting and palette of the movie?