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Audience members can casually move back and forth between the front and back of the screen to see shadows or the actual puppets.Used as a method of communication and social commentary, these shows pay homage to important ceremonies like weddings, elections, or holidays. Performances are usually based on classical Indian literature and incorporates contemporary issues into particular scenes. While not traditional, I thought this interpreted storyline was great. Yup, that's Saddam Hussein and George Bush.
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They are insanely intricate.What fascinated me was the traditional used for creating specific characters of wayang. Each represents a particular identity, essence, and social status.
Some characters have round, wide eyes with big pupils, and others have thin slanted, downcast eyes. Turns out, the round eyed characters (called kasar) are "uncouth and poorly-mannered", whereas the thin eyed characters (halus) are "refined and gracious".
Standard colors are also used to portray personality traits and moods.
Human characters are gold, black, white or red
Gold=dignity and calmness
Black = strength, anger, inner maturity
White = youth, innocence, or nobility
Red = intense, violent anger, callous nasty personality, or boldness
Faces can also be painted pink, blue or green.
Clown characters are particularly well-loved by audiences.
So, why don't the characters look anything like humans? According to one source, Islam forbids the depiction of the human form which is one of the reasons given for the highly stylized appearance of Javanese puppets compared to their counterparts elsewhere in South East Asia.
I find it fascinating to learn about symbolism in other countries and cultures. Doesn't it make life that much more rich and interesting?
*Unless noted, I took the photos