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After hearing an interview on NPR, I hot-footed it to the theater the other day to see the movie for myself.
image sourceThere's just something so precious about miniatures, you know?
In the interview on NPR, Wes is questioned about his distinct palette choice for the movie. Autumnal colors in yellows, golds and oranges dominate the sets, particularly at the beginning.
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When researching for this movie, Anderson traveled to Great Missenden, England to visit Dahl's 'Gypsy House', where the story is set and Dahl wrote the book. It was autumn time, and everything was muddy. Anderson left feeling like this should be the setting for the movie, but that maybe it wasn't going to be a very colorful place. No rolling green hills, etc. But the beauty of stop motion films such as this is that the creators have complete control over the world they create. Anderson soon discovered, "With a movie like this, if you make a decision like that, well, we're not going to have any green. We're not even going to have a blue sky. We're going to have the skies be pink. Because you have so much control, really... there's literally nothing that's green. There's nothing that's blue...Anderson elaborates,
"the grass is made of yellow towels, essentially. So suddenly, it really does take a jump from reality... You quickly sort of adjust to it. Your eye just accepts this sort of 'palette of the world'."Want to see more? Here's the movie trailer.
Anyone seen the movie? Let's discuss!